Slant 10 Preview: Fine Threads

Fine Threads by Adele Pham

One of the films we’re showing this Friday is the documentary Fine Threads. Made by filmmaker Adele Pham — along with girls who participate in Desi Girls on ‘da Rise, a youth leadership program of the community organization South Asian Youth Action — this short film presents a portrait of what it’s like to be an immigrant teenage girl in Queens, New York.

Fine Threads weaves a narrative from interviews with three South Asian American teens. The teens — Humira Khan (pictured above), Damandeep “Daman” Kaur, and Shweta Pariya — talk about beauty, religion, parents, identity, and migration.

Humira Khan, 14,  is a Bangladeshi American Muslim girl who loves to incorporate colorful fashion with wearing her hijab. Damandeep “Daman” Kaur, 17, is a Punjabi American Sikh teenager who talks about conflicts between her parents’ ideas of womanhood and hers. And Shweta Pariya, 15, loves her life in New York, which gives her more freedom than she had in India.

Fine Threads plays this Friday at Super Happy Fun Land as part of our shorts program. Get your tickets here.

But if you must miss it, the documentary will also play on HBO this month for Asian American Heritage Month!

Slant Retrospective: Josh Kim

At Slant 7, we screened Josh Kim’s The Police Box, which remains one of our favorite works. A charming film about romantic crushes — with an upbeat soundtrack that makes us happy every time we hear it — this story of a curious boy, a curious girl, and one policeman unfolds quickly in less than 4 minutes. Josh, who grew up in  Orange, Texas, made the film in March 2006 after dropping out of film school in Hong Kong. Watch it below. (The YouTube clip below plays the film twice. The second version of the film includes annotations showing the cost of props, rentals and other items that go into making a film. Josh made the film for a little over $5,000.)

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Slant 10 Preview: Three Times Me

Three Times Me

At Slant, we love short films. That’s why we focus exclusively on them. We are delighted by how a story can unfold in just 10 or 20 minutes. Or how you can get a good glimpse of someone’s life in a brief documentary. Or experience something new in just 5 minutes!

The shortest film we’ve ever shown was just a minute long. In Jenn Kao’s The Plug, a young woman makes a surprising discovery about the world.

This year, most of the films we’re screening are around the 15-minute mark. But we have one super short one. Wendy J. N. Lee’s work, Three Times Me, is just 3 minutes long. This charming story takes us into the imagination of a little girl hiding under a table at a dinner party.

Watch an interview with Wendy about making Three Times Me below. At 2 minutes and 37 seconds, it’s almost as long as her film!

Slant Retrospective: J.P. Chan

Attending Slant in person this year is New York-based filmmaker J.P. Chan. We’re screening his short film I Don’t Sleep I Dream on May 21. See details for the screening here.

J.P. is a self-taught filmmaker and playwright who was born in New Jersey to working-class immigrant parents. Not coincidentally, some of his films have been set in immigrant-owned businesses.

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Slant 10 Preview: PJ Raval

This year at Slant, we are excited to present a free discussion with award-winning filmmaker PJ Raval. Known for his success in both the Asian American and GLBT film community, PJ will talk about his experiences with niche markets of the indie filmmaking world.

PJ’s work first debuted at Slant in 2003 with a 4-minute film, Clean, about a man whose obsession with cleanliness turns into absurdity. At Slant 7, we screened Lead Role: Father, in which a film director holds auditions for a film about his family. When his real-life father appears to read for part of the father, past and present intertwine, roles are reversed, and the director is forced to confront his own fears and realizations. See PJ talk about the film in the clip below. You can also watch Lead Role: Father on IMDB here.

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Slant 10 Preview: Televisnu

Televisnu

Prithi Gowda’s Televisnu just screened at SXSW in March. We’re pleased to bring this surreal story of a call center worker who falls into a dreamland of wires and memories to Slant. New York-based Prithi says she was inspired to make the film after a trip to India a few years ago.

“I noticed a big change. Many of my young, female cousins were working rather than adopting the more traditional and expected role of husband hunting,” she says. “In the past, a young Indian woman did not leave her home until a suitable man agreed to marry her. She went directly from the care and responsibility of her father to the care and responsibility of her new husband. But, due to globalization, a new and curious detour has become more common.”

Televisnu was shot over 12 days in Bangalore, India and in Prithi’s parents’ respective villages outside Kolar. It was a labor of love for the filmmaker and her family. Her uncle served as a location scout, her mother co-produced the film, and her cousin built all the sets. Watch the trailer, then see the film on May 21 at Slant.

Slant Retrospective: Wes Kim

Today we take a look at the films of Wes Kim. Wes, a Seattle-based filmmaker, made his Slant debut in our second year of the festival with Profiles in Science. A mock science classroom film, complete with film projector glitch, Profiles tells the story of a determined scientist who discovers the reason why socks go missing from your laundry. We liked it so much that we put it on our DVD. But you can also watch it here on YouTube:

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